Far From The Tree Pdf

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Authors will receive the e- book and one print copy of the anthology, plus wholesale pricing for additional print copies. This is considered token payment. Submissions must be previously unpublished. We are seeking twelve months of exclusive worldwide print and electronic distribution rights and non- exclusive worldwide print and electronic distribution rights in perpetuity. Multiple submissions are fine, but simultaneous submissions are discouraged. Please don’t re- submit a rejected story unless we request revisions.

We hope to have responded to everyone within one month of the submission window’s closing. Feel free to query if it’s been longer than two months. Stories must be double spaced, in 1.

Times New Roman font (or something similar). Do not submit in Courier. The story title, your byline, a word count, and contact information should appear on the first page, and your last name, story title, and page number should appear in the header information of all other pages. We’re not particular about whether you use italics or underlining for emphasis, how many spaces are after the period, or whether you use straight or smart quotes. Submissions may be sent to the email address: Submit your stories via email as an attachment in . The subject of your email should be SUBMISSION: < story title> by < byline>. The email body should contain a short list of your publishing credits and any pertinent biographical details.

The submission period ends July 1, 2. Theme guidelines. The story must have a fantasy/speculative element. Science fantasy is ok, but we’re aiming for fantasy rather than straight science fiction. We prefer “clean” stories and strongly prefer noblebright stories. For more on noblebright, please see noblebright.

The story must address the “Still Waters” theme in some way. Creative interpretation of the theme is encouraged. Some ideas are. Still waters run deep. He makes me lie down in green pastures; He leads me beside still waters. Please, for all our sakes, read this next part carefully. All submissions should be sent by e- mail (no letters or telephone calls please) to .

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Below are some formatting rules to help us process your submission more quickly. Email and Cover Letters.

Email is accepted in both text and HTML formats. When submitting, please put this in the subject line: Submission: (Title) – (First and Last name)Include the following in the body of the email and in the attached submission: Your name. Name to use on the story (byline), if different. Your preferred email address. Your mailing address. The story’s title. The story’s word count.

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You may also include a cover letter in the body of the email. We get a lot of strange stuff in cover letters, so if you’re unsure of what goes in them (and especially what doesn’t) please refer to these cover letter tips: How to write a cover letter . We will no longer read any story not properly formatted. Other formats, such as Works, Word. Perfect, Open Office, etc., have proven difficult to open. Please note that we no longer accept “inline” submssions – that is: submissions with the stories pasted directly into the body of the email. Fiction Guidelines.

We’re looking for good, solid fiction. We specialize in the Science Fiction, Fantasy and Horror genres. We will consider other genres, such as humor or general interest, provided that the work possesses an original, “quirky” slant in the Northern Exposure, Ally Mc. Beal vein. Here are some basic “do’s” and “don’ts”.

DO give us strong characters and good plotting. DO put clever, but logical twists on the end of your tales. DO experiment with new ideas and unusual writing styles, but without falling into traps of contrivance and clich. DON’T submit reprints without including the name of the publication in which the work first appeared, along with the date of publication.

DON’T send more than one story in the same submission. There is no minimum or maximum length for fiction. But bear in mind that short- shorts (less than 5. We’ll consider them, but they will have to be exceptional. We pay a flat rate of $1.

U. S. The subject matter MUST involve the art or business of writing. Research, editing, characterization, narrative style, query letters, cover letters, dealing with editors, agents or publishers – virtually any topic that concerns writing is fair game. The maximum length for non- fiction is 2. We pay a $1. 5 (U. S. The order in which stories and articles appear on the site is solely arbitrary and should not be construed in any other way. All works that are accepted for publication remain on the site for the full four months. With the publication of the subsequent issue, all rights to the works previously displayed revert to the author.

We buy First World Rights and World Reprint Rights. Bylines are most certainly given.

Most submissions are reviewed within 4- 6 weeks. If the story shows merit, we will respond with a “maybe” letter, explaining that the submission is in the running for a spot in the next issue. At the end of the submission cycle, which is always two months before the next issue comes out, all “maybe” submission are re- reviewed, and the top eight selected for publication. At that time, all accepted authors receive contracts to sign.

Since these contracts and, later, the payment checks, go out by snail mail, it is VERY important that all submissions include a snail mail address. We don’t “buy ahead”. By that, we mean that ALLEGORY purchases only the stories it needs for the current issue, rather than stocking up for the next and the next. This means that every author who received an acceptance from us will see their work on this site with the next new issue. Simultaneous submissions are “OK”, provided that you let us know at the time of submission that other editors are reviewing this work.

That’s about it. Good luck. Ty Drago. Editors. Allegory. Via: Allegory Ezine. Essays and flash fiction of approximately 2. Comic submissions should be 1- 8 pages of finished work.

Anything longer may get serialized across multiple issues. Please note that inside art should be in grayscale (please refer to art and comic templates for details.)Galileo Books acquires first serial rights; upon publication, these rights revert back to you, the author. We ask that you acknowledge Retro Future (Galileo Books) as the venue of original publication when the work appears in your book or is otherwise collected. If a work becomes unavailable while under our review, please contact us via email. Submitted work for specific issues may be considered for other issues if themes fit. Please include your name and contact information (at least an email) at the top of your submission. Art and comic templates are located here.

Please make sure that art finals are high resolution (at least 3. DPI), in the RGB or Grayscale color space, and native Photoshop or TIFF files. No JPG or GIF.(Dropbox will ask you to join, you can ignore that and click the . Subjects such as sexual violence, un- examined racism, and other potentially offensive material are often used as fodder for exposition in genre stories–this is not appropriate for inclusion in Retro Future. Online streaming Halloween Party with subtitles 1080p here.

We are looking for forward- looking and optimistic science and science- fiction. Sensitive topics can be part of a good story, but a vision of a future better than our present is the focus of Retro Future. Keep this in mind when submitting. Submission Email! You can expect a response up to a month after the deadline date.

We will always meet or exceed SFWA minimum compensation guidelines. Via: Galileo Games. Are you itching to invent your own odd literary devices or creatures? Impress us, delight us, or scare us with the diversity of your fiendish creations. Creatures of the id don’t necessarily have to be monsters, but they do need to be strange. We’d fancy some ghostbusters and monster hunters too. Reading Period: May 1.

July 1. 5, 2. 01. Writer Deadline: July 1. Publication Date: September 2.

Third Flatiron Publishing is based in Boulder, Colorado, and Ayr, Scotland. We are looking for submissions to our quarterly themed anthologies. Our focus is on science fiction and fantasy and anthropological fiction. We want tightly plotted tales in out- of- the- ordinary scenarios. Light horror is acceptable, provided it fits the theme.

Please send us short stories that revolve around age- old questions and have something illuminating to tell us as human beings. Fantastical situations and creatures, exciting dialog, irony, mild horror, and wry humor are all welcome. Stories should be between 1,5. Inquire if longer. Role models for the type of fiction we want include Kurt Vonnegut, Arthur C. Clarke, Dan Simmons, Connie Willis, Vernor Vinge, and Ken Kesey. We want to showcase some of the best new shorts available today.

For each anthology, we will also accept a few very short humor pieces on the order of the “Shouts and Murmurs” feature in The New Yorker Magazine (6. These can be written from a first- person perspective or can be mini- essays that tell people what they ought to do, how to do something better, or explain why something is like it is, humorously. An SF/Fantasy bent is preferred.

Continuing with Third Flatiron’s quarterly themed anthologies, we will be soliciting SF/Fantasy/Horror short stories with the following themes. Themes are designed to be open- ended, allowing authors considerable leeway. We appreciate short, imaginative tales, preferring those that work with the theme in some way. Short stories should be 3,0.

Flash humor pieces (< =1,0. We aim to be inclusive and encourage submissions from all creators. They should be between 1,5. Flash humor pieces (Grins and Gurgles) should be short, around 6.

If a story has been rejected, you can then send another. A brief bio and a one- or two- sentence synopsis in the body of your email would also be helpful to us. Accepted stories will be paid at the flat rate of 6 cents per word (U. S./SFWA professional rate), in return for the first publication rights to the story for six months after publication.